The Politics of Seeing: Supranav Dash’s ‘Marginal Trades’

The Politics of Seeing: Supranav Dash’s ‘Marginal Trades’ 25 | 03 | 26 Written by Tina Wadhawa Somewhere between a painted canvas and a fashion photograph, a quiet restlessness began to take shape. The images were precise, composed, and technically assured, but they seemed to stop just short of something more enduring. They held form […]
(Some) Body You Should Know -– The Politically Personal World of Saviya Lopes

(Some) Body You Should Know -– The Politically Personal World of Saviya Lopes 12 | 02 | 26 Written by Nidhi Krishna Saviya Lopes, या जेवायला / Come eat with us (L-R: Kadubai Kharat, Mikki Kendall, Iron Sharmila, Frida Kahlo, Alice Walker), 2025, Oil on Linen. Courtesy: Art and Charlie Five women sit around a […]
The Saree Fences of Sindhudurga: Indrajit Khambe’s Grassroots Gaze

The Saree Fences of Sindhudurga: Indrajit Khambe’s Grassroots Gaze 01 | 12 | 25 Written by Nidhi Krishna Image courtesy: Indrajit Khambe Soft sarees framed against vivid, green grass. Documentary photographer Indrajit Khambe’s images are so evocative, you feel like you could run your fingers over the fabric through the screen. Khambe’s images of a […]
From Awareness to Action: Siddhant Shah on Rewriting Accessibility in the Arts

From Awareness to Action: Siddhant Shah on Rewriting Accessibility in the Arts 01 | 12 | 25 Written by Tina Wadhawa Siddhant Shah, founder of Access For ALL, has spent the past decade rethinking how cultural spaces define and implement inclusion. His work focuses on creating environments where audiences with diverse physical, sensory, and social […]
More Than A Festival: Sayantan Maitra on Durga Puja as a Public Art Phenomenon

More Than A Festival: Sayantan Maitra on Durga Puja as a Public Art Phenomenon 05 | 09 | 25 Written by Nidhi Krishna Image credits:Sayantan Maitra and www.massart.in Durga Puja is more than a festival. It is a remarkable example of temporary public art that transforms the fabric of Kolkata every year. massArt is a […]
Arjun Butani on Moving Through the World, One Artwork at a Time

Arjun Butani on Moving Through the World, One Artwork at a Time 23| 07| 25 Written by Nidhi Krishna Arjun Butani at Anselm Kiefer’s Solo Show at the White Cube, Bermondsey, London, in June 2023. Image Courtesy: Arjun Butani Arjun Butani makes collecting look cool. His love for art began at a young age, in […]
Spilling, Flowing & Expanding: A Queer Reading of liactuallee’s Soft Sculptural Practice

Spilling, Flowing & Expanding: A Queer Reading of liactuallee’s Soft Sculptural Practice 25| 06| 25 Written by Seerat Kaur As this Pride Month comes to an end, amidst the usual streamers and slogans, the fatigue is harder to ignore. As corporate allyship thins and institutional support recedes, queerness – especially its quieter, messier, more expansive […]
If Land Is the Studio, the Work Doesn’t End: Bhimanshu Pandel on Letting Work Take Its Time

If Land Is the Studio, the Work Doesn’t End: Bhimanshu Pandel on Letting Work Take Its Time 06| 06| 25 Written by Saumya Aggarwal There’s no studio door to knock on when it comes to Bhimanshu Pandel’s place and practice. The work begins in a field, beside a kiln, or mid-conversation with someone who remembers […]
From the Wall Up: Siddharth Gohil on Practice, Process, and Public Space

From the Wall Up: Siddharth Gohil on Practice, Process, and Public Space 30| 05 | 25 Written by Saumya Aggarwal It’s easy to forget that murals start small, many times with a sketch, a stencil, or in Siddharth Gohil’s case, a job in graphic design. Before he ever touched a public wall, Gohil was working […]
Holding The Room: An Interview With Mallika Sagar On Auctions, Art, And What It Really Takes To Be An Auctioneer

Holding The Room: An Interview With Mallika Sagar On Auctions, Art, And What It Really Takes To Be An Auctioneer 15| 05| 25 Written by Nidhi Krishna Imagine This: Gavel in hand, you’re holding the room—tension building as every bid increases. Going once, Going twice….and SOLD! This is the world of Mallika Sagar! A Bryn […]