The exhibition evinces that the objects and the emotional labor in the kitchen are not always of polite nurturance, they’re also loud and assertive. There are cracks, spills, burns, spit, poison, contamination; there are moments that may not seem disciplined to eat off. Tsohil is interested in these ruptures to the sobriety. The kitchen then serves as a site for many active possibilities, not only to feed ourselves, but also a space to revolt, imagine and fuel radical actions.